Tuesday, August 27, 2013

Poster Concepts

I haven't posted in a while, but that doesn't mean that there haven't been updates. This project is still on the move with a big update coming soon.

In the mean time, I have created a quick draw up of a poster idea (this follows up on the post).


I am not 100% sold on the text, but the free online program that I as using had some limitation. Over all I dig the concept and can not wait until we have our actor in place to implement more marketing materials.

*And yes, this is Tom Cruise from Collateral. Surprised, right?

Tuesday, June 4, 2013

Marketing?

Thinking about how I might market this to prospective viewers and inverters, and sitting here at my desk, I sketched out some ideas that I have for the  marketing campaign.

  

The color bar with the title The One You Feed is similar in reference to the previous marketing ideas that I had posted. I would drop the "two wolves" myth story and in place add the words - Love, Hate, Joy, Anger, Jutice, Revenge. Which One Will You Feed?

Then have two track-able QR code boxes, one listed, "Love," the other listed as, "Hate."  Each QR code would lead to a separate  30 second trailer would play on the users smart device - one themed with love and the other hate. 

So, yes, we would need to create two style of trailers, but it provokes the view by asking the question and then adds the pay off of a different video at each link. 

The two types of videos would also help support the doppelganger/duality theme that is present throughout the story.

Another thought I have on this would be flyer hand outs that look similar to this - 




This is a bare bones sketch and the final product would have more imagery on it, but the basic concept is present. The front would prompt the question, "Which One Will You Feed."  Then the back side would offer the same two QR codes that lead to the separately themed videos.

Thoughts? Comments? Suggestions?

All are welcome, stay tuned for another homework assignment as well as a much needed update on where the script is.


Coffee of the Day - Teen Wolf


Tuesday, May 14, 2013

Homework - Vanilla Sky

This weeks homework assignment is Cameron Crows Vanilla Sky, a remake of the Spanish film Open Your Eyes.


A film about revenge?
- No
 A film with guns?
- No
 An explosions?
- No.

So what gives? Well, Vanilla Sky doesn't have the same traits as other will be later Homework assignments will. It's not really a crime thriller, it doesn't have a killer gang, and a dead wife with a  vengeful husband. 

The film starring Tom Cruise,  is about a millionaire playboy who has everything he wants and also thinks he can have it all, including his best friends date to a party while still entertaining another girl on the side.

The films deals with consequence of choices, a theme that is currently very present the first draft of The One You Feed. The film also has two female leads, one blonde and one brunette - showing their contrast to each other, and our film will have the same. 


 One scene that has always has an impact on me is one in which Tom Cruise meets Penelope Cruz in the park. He has just been in a car accident with Cameron Diaz, at first is lost as to how he woke up in the park. In that moment, he finds that he is in a dream. That he doesn't actually have Penelope with him, and they are not together. 

I love the idea the scene because it shows that even after you have lost someone, you may continue to dream about them. In that dream everything seems real, and your significant other is with you again. However, soon you will wake up and what was a wonderful dream is now a nightmare, because in reality that person is gone forever. 

A scene similar to this will be in The One You Feed - but of course different and more in the context of our storyline.

Here is a trailer for the film, and be sure to complete your homework assignment before next weeks assigned film.




Monday, May 13, 2013

Thursday, May 9, 2013

Word of the Day

REVENGE

As define by Wikipedia  - "Revenge is a harmful action against a person or group in response to a grievance, be it real or perceived. It is also called payback, retribution, retaliation or vengeance; it may be characterized as a form of justice, an altruistic action which enforces societal or moral justice aside from the legal system. Francis Bacon described it as a kind of "wild justice."

Also on the WIKI page -

Proverbs

The popular expression "revenge is a dish best served cold" suggests that revenge is more satisfying as a considered response enacted when unexpected or long feared, inverting traditional civilized revulsion toward 'cold-blooded' violence. In early literature it is used, usually, to persuade another to forestall vengeance long enough for wisdom to reassert itself. This sense is lost in recent presentations.[citation needed]

The idea's origin is obscure. The French diplomat Talleyrand (1754–1838) has been credited with the saying La vengeance est un mets que l'on doit manger froid. [Revenge is a dish that should be eaten cold.].[7] It has been in the English language since at least 1846, via a translation from the French novel Mathilde by Joseph Marie Eugène Sue: la vengeance se mange très-bien froide [sic],[8] there italicized as if quoting a proverbial saying, and translated revenge is very good eaten cold.[9] It has been wrongly credited[where?][10] to the novel Les liaisons dangereuses (1782).
Its path to modern popularity may begin with the 1949 film Kind Hearts and Coronets which had revenge is a dish which people of taste prefer to eat cold. The familiar wording appears in The Godfather by Mario Puzo (1969) and is quoted as if from an "old Klingon Proverb" in the film Star Trek II: The Wrath of Khan (1982) and in the title sequence of the Quentin Tarantino film Kill Bill: Vol 1 (2003).

Another proverb states: "Before you embark on a journey of revenge, dig two graves." The implication here is that a desire for revenge may ultimately hurt the seeker as much as the victim. Alternatively, it may imply that you should be prepared to die yourself in the process of seeking revenge.

Wednesday, May 1, 2013

Coffee of the Day - Janus Tattoo


Though I had previously owned Armageddon and The Rock on Criterion (I know big art house films right?) DVD, I had never been exposed to so much foreign and hard to find films than when working for my Bachelor in Film.

Many of the films that we watched came from the Criterion collection, and most of them all begin with the Janus image above. Seeing the Criterion's Janus film symbol before every movie left a lasting impression. There are several storytelling narratives that are simply my favorite, one being stories that are told in non-linier form, time traveling is another, and duality.

For those that are not aware of who Janus is, here is what Wikipedia has to say -

"In ancient Roman religion and myth, Janus (Latin: IANVS) is the god of beginnings and transitions,[1] thence also of gates, doors, passages, endings and time. He is usually depicted as having two faces, since he looks to the future and to the past. The Romans named the month of January (Ianuarius) in his honor. Janus presided over the beginning and ending of conflict, and hence peace and war."


The Janus symbol inspired me so much  that during my time at the Univeristy of Central Florida I made a a short film called Doppleganger, in which I named my main character Janus, a man with a split personality that talks to his dog about possibly killing his wife.

The myth of The One You Feed obviously deals with the internal struggle of duality,  good versus evil. In writing the script I have attempt to add several scenes that are, in a sense, duplicates of previous scenes. There are things that happen twice. Hitchcock did this in his film Shadow of Doubt and also in Vertigo.  Not that my story needed any more duality in it, but I thought that following in the same feet steps wouldn't hurt either.

In the script, John's wife Linda is killed in a brutal attack. The only distinct item that John can recollect from one of the thugs is a tattoo. I had long thought the tattoo to be a cross of some sort, knowing in my heart that I would change the design later to something more distinct. Something that we as the audience, and John, will recognize later when bumping into that thug again.

I scratched my brain for a long time about what that symbol could be, the tattoo that the thug has on his arm. I even researched gang tattoos in the hopes of finding something that would work. Then it finally dawned on me - Janus. A symbols of duality and a mise en scene that I was toying with anyways.

It was perfect, I thought. The character will have Janus tattoo. But what would that actually look like? Would that look plausible? After doing a little Google image search I found this image below - a person with a Janus tattoo on their wrist. 



 Ehh, not really what I was looking for. What do you think?

I am sure that the tattoo fulfills this person lifestyle and completes them, maybe.  But it's not aggressive enough for a thug character. Right? Doing a little more Google image search, "Janus Tattoo," I found the image below. 


More perfect than I could imagine. Dropping the facial feature and beard from the image and making it skulls gives it just the edge that it needs. And it seperates it from the Criterion image so it doesn't look like the Thug is a huge art house film fan. 

 Audience, I think I just found my tattoo for the thug character.  By the way, the thug character's name is Emil. The name is in reference to Robocop. You know, the guy that says, "I know you. You're dead. We killed you!" 

But more on that later - as it will be one of the homework assignments in the coming weeks. 

Please, let me know what you think, like, dislike and also please show your support by liking the Facebook page. 

Regards, 

Ryan McDonald

Monday, April 29, 2013

Homework - The One You Feed


In a new section called the "homework" that is required for my feature film The One You Feed.

Along the way of writing the screenplay I have add many nick-knacks inspired by other films. Some parts are just lines of dialogue; others are entire scenes that have been inspired by these movies, and some are films where the visual style, sound track, or themes that are inspiring The One You Feed movie. 



First assignment in The One you Feed homework is Michael Mann’s 1981 film Thief

Thief follows Frank Hohimer, played by James Cann, a professional criminal thief with multiple fake front business operations.  Frank also works independently from any gangster organization. But a onetime gig, with a local Mob tie may have the pay out that Frank needs in order to retire and go legitimate with his new girlfriend/wife. If successful, Frank could continue his life free of any criminal association. 


Fans of Michael Mann’s will see the similarities in the character mentality, the “Don’t be attached to anything that you are not willing to walk out on in 60 flat if you spot the heat around the corner.” We also see Mann’s attention to detail and the authentic nature of his characters and films compared to typical Hollywood – crap.

The last third of this film is my favorite part, and it has a very profound influence on the ending for The One You Feed.

Last I checked, this film was available via Netflix instant stream.



Monday, April 22, 2013

River Boat Gamblers - The One You Feed

Coffee of the Day? I think so.

Album teaser featuring the song "Gallows Bird" from the new Riverboat Gamblers album The Wolf You Feed out 5-22 on Volcom Entertainment.

 So far, I dig the sound. Perhaps they would be interested in allowing the movie to feature a song of theirs. I could work with that.
Check out their website as well. http://www.theriverboatgamblers.com/

Monday, April 15, 2013

Updates! Read All About It!

So, it has definitely been a while since I posted. Last I did the new short film by Jason White had premiered at the end of last month. If you have yet still to check out the video, then scroll down the previous post and please do. Also, give a shout out on your thoughts and comments. 

As I mentioned it has been a while since I posted, but that doesn't mean that I haven't been working.

Revising The One You Feed while flying into LA.
The past few weeks I have been working on a revision of the script. What started out as a simple glance over for spelling and gramar errors and possible different word choices turned into a complete overhaul of each page. 

Using my trusted blue pen I have been going page for page and scene for scene making sides notes, edits, and in some cases have re-written scenes as needed.

But wait? You never announced that you had a first draft? Okay, yes, this is true. That is because I never technically finished the first draft. I have been struggling with the center section of my story. The love story moment between our main protagonist, John, and his new flame interest, Eady. After spending, what I felt like was, too long stalling the on the story I decided that since I knew exactly where I wanted each of my character to eventually go that I would skip those scenes and write the rest of the film to the end. 

And so I did. I actually made it to the spot where I typed,  "The End." The only problem is, is that I don't really have a complete script because I skipped about 30 pages in the center. 

So, though I never finished or completed a first draft, I have done enough editing of the 71 pages that I have to make what I now call the Second Draft of the script. And it's almost done. Only seven more pages to edit. 


Laptop, Coffee, Pen Script. Good Morning
  
I did allow the one follower of this blog a chance to read the script as I currently have it. *See what the benefits are of following the blog?*  To be fair she is a trusted friend and family member. She came back with a good amount of notes, and it was nice to finally be able to speak with someone in full context the story line, plot details, and events as they unfold and then analyse them to see what works and what sucks. 

So, far we made out okay. Looks like most of it works. But of course that was only one opinion. 
My next objective is to finish the scenes that I never completed and have for the first time a complete draft of The One You Feed screenplay. 

This is my objective for the coming week. 

I do have a scene in place, and reviewed that I would like to film. A center piece to the story. A moment when Don, the older mentor, finds that John, our main hero, has intentions of finding and kiling his wife's murderers. Shooting this scene will give people a chance at a sneak peak of what we intend to do with the film, and hopefully will be something that we can take a show possible investors.

In the mean time, thanks for reading. Comments are welcome. And if you haven't already - be sure to "Like" our Facebook page. 

Regards, 

Ryan McDonald 


The title page to The One You Feed